Reach · Publication placement

Access to the communities you want to be working in.

Some of the best communities in Northern California are effectively closed to advertisers. There's no list to buy and no way to target your way in. This is the door. Month after month, into affluent households, in the home and on their screens. You don't have to live there. You just have to be the business they keep seeing.

The peak isn't louder than the valley. It's just standing where the light lands first.

What you're actually buying

Households, not impressions in a pile.

Most media sells you a share of a crowd and hopes the right people were standing in it. This sells you a defined set of addresses in a community you want to reach, and then delivers to those same addresses again next month, and the month after that.

01

The households, selected on purpose

These aren't every address in a ZIP code. Distributions are built on home ownership and home value, so the publication lands in owner-occupied, affluent households in the most desirable markets. For professional and home services, that's the exact customer most businesses spend years trying to reach. Not a sample, not whoever happened to be online, and not whoever clicked.

02

The same addresses, on their devices

Those addresses can be matched to the devices inside them, so your digital ads serve to those households specifically. That's address-based audience matching. It works off the address file, not off who read what, and it isn't reader tracking.

03

Repetition you can count on

One month is an appearance. Six months is a presence. The whole buy is built around showing up on a schedule, in a place people already trust, until your name means something to them.

A distribution map showing selected owner-occupied households in an affluent community
Distributions are built on home ownership and home value, not on whoever happens to live inside a ZIP code.

Worth saying plainly before you read another line. Print carries guaranteed distribution. Digital carries guaranteed impressions. Neither one carries a guaranteed outcome, and anyone who tells you otherwise is selling you a story. The full ledger of what I'll prove and what I won't pretend to know is further down this page.

The network

One title I publish. Placement access across Northern California.

I publish El Dorado Hills Neighbors myself. Through my partnership with the publishing network behind it, as Market Leader for the Greater Sacramento region, I can place clients into publications across all of Northern California, well past the titles on this list. Across Greater Sacramento that's 25,000+ affluent homeowner households reached monthly, and over 100,000 across Northern California.

  • El Dorado Hills Neighbors I publish this one
  • Roseville Living placement access
  • Fair Oaks Living placement access
  • Gold River Living placement access
  • Rancho Murieta Neighbors placement access
  • Southport Neighbors placement access

These are examples of local presence, not the boundary of it. Placement runs across Northern California through the network I partner with. If there's a community you want and it isn't named here, ask me for it on the call.

El Dorado Hills Neighbors magazine cover
El Dorado Hills
Fair Oaks Living magazine cover
Fair Oaks
Gold River Living magazine cover
Gold River
Rancho Murieta Neighbors magazine cover
Rancho Murieta
A Davis community magazine cover from the network
Davis
A Napa community magazine cover from the network
Napa
A Healdsburg community magazine cover from the network
Healdsburg
A Petaluma community magazine cover from the network
Petaluma
A Calistoga community magazine cover from the network
Calistoga

Real covers from across the network, from the Sacramento region to wine country. One insertion order can put you in any combination of them.

Working more than one market?

Regional campaigns are placed across many Northern California publications on a single insertion order, with one creative set localized per market. This is the part most multi-market operators don't expect, because buying eight communities usually means eight separate negotiations, eight deadlines, and eight invoices.

  • One insertion order covering every title in the buy.
  • One creative set, localized per market so each version reads like it belongs there.
  • One production calendar, one set of deadlines, one point of contact.
  • Markets added or dropped by term without rebuilding the campaign.

The unfair advantage

Why the same budget goes further here.

Ad platforms price on volume. The bigger the buyer, the better the rate, and a single local advertiser is always the smallest buyer in the room. That's the piece worth understanding before you compare this to a rate card you've seen somewhere else.

So a budget that would buy leftover inventory on the open market buys premium placement here, and it turns on ad systems a local advertiser usually can't reach at all. What that's worth in your market depends on your market. It gets worked out with real numbers on a call, not with a percentage printed on a web page.

That's the platform I place through. I'm the one who works your account.

I publish El Dorado Hills Neighbors. I sell the placement, I build the creative that runs in it, and I'm the person you call when something has to change before a deadline. There's no account team to route through and no handoff after the paperwork.

If a community or a position isn't right for you, I'll say that on the call instead of writing it into an order. You can reach me directly at (530) 306-1881.

Clint Goodrich, FirstPeak Studio

How the two halves work

The same households. In the home, and on their screens.

These aren't two audiences. It's one set of addresses, reached two ways, which is the entire reason the pairing works.

In the home

Placement in the publication

The publication is delivered to every home in the distribution. It sits on a counter, it gets picked up more than once, and your business appears next to writing about the people who live there. Distribution is guaranteed. Nothing about paper produces a click report, and that's fine.

  • Guaranteed delivery to the addresses in the buy
  • A defined position you hold for the full term
  • Ad creative built as part of the placement

On their screens

Household-matched digital

The same addresses are matched to the devices inside those homes, so your display serves to those households instead of to a broad interest audience that happens to share a zip code. Impressions are guaranteed and reported. Who acts on them is not.

  • Serves to the matched households, not a lookalike guess
  • Impression delivery contracted and reported
  • Retargeting for the people who reach your site

Print earns the recognition. Digital earns the reminder. The same household sees you in both places, which is how a name stops being unfamiliar.

The honest part

What's guaranteed, and what never is.

Guaranteed distribution on print. Guaranteed impressions on digital. Guaranteed outcomes on neither. That sentence costs me orders and I keep saying it anyway, because it's the part you can verify.

Print

Distribution is guaranteed

Your placement runs in every copy delivered to the addresses in the buy, in the position and the issue you bought. That's a commitment, and it's verifiable.

Digital

Impressions are guaranteed

Household-matched display delivers a contracted number of impressions to the matched addresses, and that delivery is reported back to you.

Both

Outcomes are not guaranteed

Nobody can promise you calls, jobs, or revenue from an advertisement, in any channel. Anyone who does is either guessing or selling. I'd rather lose the order than write it down.

What I'll prove

  • That the publication was produced and delivered, and to which addresses.
  • That your placement ran, in the position and the issue you bought.
  • That the digital impressions were served to the matched households.
  • Every call and form that comes through a tracked number or a tracked form.
  • What your website does with the traffic, when we've instrumented it.

What I won't pretend to know

  • How many people read your ad.
  • Which customer walked in because of it.
  • A cost per lead for a print placement.
  • A return on investment projected before anything has run.
  • That any single month will produce anything at all.

Frequency is the mechanism. It's not a fine print detail.

Recognition is built by repetition. Someone has to see you, then see you again, then see you a third time before your name carries any weight. A single insertion buys a data point, not a result. That's why print placement carries a six-month minimum. It isn't a lock-in tactic, it's the shortest term where the thing has a real chance to work, and it's the only term I'll sell you.

Coverage

Three ways to cover ground.

Coverage gets described by communities and scope, not by a rate card. What it costs depends on the titles, the positions, and the term, and it gets built in front of you rather than handed to you.

Tier one

A single community

One title, one community, held for the term. The right start when your work is concentrated in one place, or when you want to see the channel run before you widen it.

  • One publication, for example El Dorado Hills Neighbors
  • A held position for the full term
  • Household-matched digital to the same addresses

HouseholdsThe full verified distribution for that community. Exact counts confirmed on the call.

Tier two

A group of neighboring communities

Several adjacent titles bought together, so a service business working several adjacent markets appears in every community it already drives through on a normal week.

  • Adjacent publications, for example Roseville Living, Fair Oaks Living, and Gold River Living
  • One insertion order across the group
  • Creative localized to each community

HouseholdsAcross Greater Sacramento, that's 25,000+ affluent homeowner households reached monthly. Your combination confirmed on the call.

Tier three

Regional, across Northern California

A multi-market campaign placed across publications throughout Northern California on a single insertion order, with one creative set localized per market. Built for operators working many markets at once.

  • Placement across Northern California through the network
  • One insertion order, one schedule, one invoice
  • Markets added or dropped by term

ScopeOver 100,000 affluent homeowner households reached monthly across Northern California. Your build scoped to your target markets on the call.

Pricing is built on inventory math you can verify. The titles in the buy, the households in each one, the position you hold, and the number of months. That's the whole calculation. There's no projected reach inside the number, no readership multiplier, and no blended cost per lead. Where a figure on this page sits in brackets, it's because it changes by market and gets confirmed for your build before you ever see a price.

Availability

A category can be held. That's why timing matters.

In a given publication, a category can be held by one advertiser for the term. When a plumber holds plumbing in a community, that's the position. The next plumber waits for it to open, takes a different community, or takes a different position in the same title.

That's good news exactly once, on the day you take it. Every other day it's the reason the community you had in mind isn't available. Categories open when a term ends, and terms don't end on a schedule that suits anybody's planning.

How availability gets confirmed

I don't publish a live availability board, because it would be wrong by the time you read it. I'll tell you exactly what's open in your category when we talk.

I'll pull the actual open positions for the communities you're interested in while we're on the phone, and tell you plainly if the one you want is taken.

If it is taken, the honest answer is usually a neighboring community or a different position in the same title. I'd rather put you somewhere that can work than sell you the leftover and let you find out later.

The foundation

Underneath all of it is a magazine people actually read.

None of the above works because of paper. It works because of what the placement sits inside. It's a private community magazine that goes to homes in an affluent community, and it gets read because it's about the people who live there.

It's about them, for them, and partly written by them, along with the businesses and non-profits featured in its pages. The neighbor on the cover is a neighbor. The story about the team's season was written by a parent who was there. That's why it comes off the counter instead of going straight into the recycling, and that's the difference between your ad sitting in a magazine and your ad sitting in a mailer.

El Dorado Hills Neighbors is the title I publish. You can see the publication and its own site here.

Homeowners reading the community magazine at home
In the home, on the counter, read at leisure.
A finished editorial spread from the printed magazine
Editorial craft, not a coupon book.

Standard

Placements

A held position in the publication for the term, at the size you choose. The ad creative is built as part of the placement, so you aren't sourcing artwork on your own or paying a designer separately to hit a spec.

Sponsorship

Content sponsorships

Your business attached to a piece of the publication people actually stop on, rather than a rectangle they turn past. Editorial fit decides whether this is right, so it's a conversation rather than an order form.

Premium

Premium placements

Covers, inside covers, the back page, and the high-attention spreads. These are the positions a household sees without looking for them, and they're the first ones to go.

Limited by issue

In the pages

Client creative, built and placed.

Each of these was designed in house and placed for a client. They're here to show what a placement looks like on the page, and nothing more than that.

Full page print advertisement designed for CG Plumbing
CG PlumbingFull page print placement.
Print advertisement designed for GYMGUYZ and placed in El Dorado Hills Neighbors
GYMGUYZPrint placement in El Dorado Hills Neighbors.
Print advertisement designed for Southgate Glass
Southgate GlassPrint placement, June issue.
Print advertisement designed for Folsom Kitchen and Bath
Folsom Kitchen and BathPrint placement, June issue.
Print advertisement designed for ComfortCraft
ComfortCraftPrint placement.
Print advertisement designed for 4C HR Consulting
4C HR ConsultingPrint placement.

Ad creative is built as part of the placement, so nothing shown here was sourced or billed separately. No performance claim is attached to any of it, because a printed page doesn't produce one.

Straight talk

What this isn't.

Three things get assumed about this channel, and all three are worth clearing before you spend a dollar on it.

  • It isn't a cheap flyer.

    A flyer is printed to be thrown away, and everyone knows it on sight. This is a held position inside something a household keeps on the counter, next to writing about people they know. The paper is different, the position is different, and the way it gets handled is different.

  • It isn't a performance channel with a click report.

    There's no click report on a printed page, no cost per lead, and no dashboard that tells you which customer came from which issue. The digital half reports impressions, and your website reports what happens after the click. The print half reports distribution. That's the honest boundary, and it's where the six-month term earns its keep.

  • It isn't a list you can rent.

    You aren't buying names, addresses, or contact data, and nothing here hands you a file to keep. You're buying placement in front of households, and audience matching that runs while your campaign runs. When the campaign ends, the access ends.

Start Here

Let's see what's actually open.

Tell me the communities you want to be working in. I'll pull the open positions, walk you through the inventory the price is built on, and tell you straight whether the timing is right or whether it isn't.

Book 20 Minutes

No pitch deck, no obligation, no pressure. If we're not a fit, I'll say so on the call.